开心乐园（国语版）

　　本片由尔冬升导演，描述了何润东与范文芳这对爱情小冤家，由于出身与教养大有差别，互相吸引又互相有顾虑，最有趣的是乖仔何发觉堕落妹范的住所残旧且污脏，忍不住并主动为其打扫清洁，同居后又怕被她纠缠，弄不清到底是否真爱她，后来他激情示爱，不惜狂食迷幻药，其实很突兀，好在那段生死边缘拍出强烈的戏剧性，最具有剧力。本片半香港味半新加坡味，对男女关系的变化过程，相当细腻，剧力转折亦有功夫。

　　A 'mockumentary' about David Moore, the filmmaker who first dreamed of "sharks in a tornado" and brought on disaster by using real sharks. The first SHARKNADO was to be a movie never seen, a crime never reported, a tale never told. Until now.

　影片《阿瓦提和阿凡提》讲述了一个温馨 、浪漫的爱情故事：过气歌手严夏到南疆 采风，偶遇来旅游的美食杂志编辑方小婷 。两人在旅途过程当中阴差阳错，一路跌 跌撞撞地发生了各种叫人笑中带泪的故事 ；与此同时，两人还和新疆当地一个叫“快 乐阿凡提”的三名乐队成员结下了深厚的友 谊。

　　谢小军和非洲媳妇璐璐回到山村老家，小军妈妈李翠花却安排儿子与大学生村官沈莹相亲，反对儿子和黑人姑娘的婚事。
　　村集体的化工厂发生污水泄漏事故，水坝被污染。小军和璐璐看见青山绿水被污染，建议关停化工厂。告诫大家：青山绿水就是金山银山。
　　为了达到拖延儿子和璐璐的婚事，他们不惜举行了一场假葬礼，黑人姑娘按照非洲部落习俗在喜丧现场，跳起了非洲舞蹈“唤醒”了假死的二大爷，村里人倒因此喜欢上了这个非洲姑娘。
　　小军看到了好兄弟李枫和初恋沈莹要好上了，心情复杂做出来武断的处理方式，璐璐没有埋怨小军，和沈莹通过交心畅谈，成了好朋友。
　　村里全体村民股东大会，决定关停化工厂，转而大力发展旅游，以及山货深加工企业。
　　为了再次阻止小军和璐璐的婚礼，李翠花和小玲把璐璐拍的村企业污染的照片传到了网上，村民知道这件事以后要赶走璐璐。
　　小军也很气愤，璐璐难过的离开了。李翠花最后良心发现，向小军承认是自己让小玲上传的照片。悔恨的小军追回来璐璐，李翠花也接受了非洲的媳妇。
　　两个人在村里举办了一场盛大的中式婚礼。农产品加工厂开业，李枫跟沈莹牵手成功，璐璐成了村里旅游大使。
　　璐璐和小军决定留村里发展，共同建设美丽乡村。

Peter Plunkett 的爱尔兰城堡，变成了酒店即将被收回，他认为鬼魂会吸引更多的游客。 当一大群美国游客到达时，麻烦就开始了。 其中，持有抵押贷款的男子和超自然心理学家的女儿和他的家人。 当真正的城堡鬼魂生气并决定参与其中时，他们会在万圣节中幸存下来吗？

　　阿爱（冯宝宝 饰）人到五十，经历了诸多风风雨雨，回想起来自己的大半辈子似乎都依附在男人的身上，可是这些男人带给阿爱的却从来都只是失望。
　　曾经，阿爱依赖父亲，可是父亲最终和母亲离婚，另觅新欢，还替阿爱造出了一个即将出世的弟弟，需要阿爱供养。之后，阿爱和丈夫结婚，本以为找到了稳固的依靠，没想到丈夫却无故失踪，掐指一算，已有十年之久。现在，阿爱将自己的全部希望寄托在了儿子（蔡瀚亿 饰）的身上，无奈儿子百无一用，是一个整天躲在卧室里和计算机形影不离的宅男。阿爱该如何在这接二连三的挫折和打击之中重新振作起来？

　　三位好友，一桩谜案，惊天阴谋，即将揭晓...... 全明星阵容共同演绎，奥斯卡提名导演大卫·O·拉塞尔执导，克里斯蒂安·贝尔、玛格特·罗比、约翰·大卫·华盛顿主演，泰勒·斯威夫特惊喜亮相！当目击者变成嫌疑人，身处风暴中心的他们，该如何守护彼此，发现真相？

　　本片是西班牙第一部以虚构作品为主题的西班牙喜剧，尽管有戏剧元素。它讲述了三个女孩的故事(安娜、宝拉和维罗妮卡)，她们通过偶然的机会，看到了一种赚钱的方法，很快就被迷住了。

流行乐队“Hombres G”正处于人气巅峰。他们非常成功，但歌迷和仰慕者们的骚扰也铺天盖地。主唱大卫通过一封粉丝来信结识了索尼娅，一位对他疯狂的歌迷，但她却以未成年为由拒绝了她。不久之后，一个陌生人用几张照片勒索他；一切变得错综复杂，最终大卫锒铛入狱。但他的朋友和乐队成员们绝不会袖手旁观。

　　Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'
　　By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.
　　Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.
　　One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.
　　While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.
　　Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...