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类型:喜剧片
主演:史蒂夫·布西密 凯瑟琳·基纳 德蒙特·莫罗尼 丹妮埃尔·冯·泽内克 詹
导演:汤姆·迪西罗
语言:英语
年代:未知
简介: A comic celebration of dreamers and their dreams, LIVING IN OBLIVION is the second film written and directed by Tom DiCillo. With a tone that teeters somewhere between Kafka and the Marx Brothers, it chronicles the hilarious misadventures of a group of people who have joined together to accomplish one of the most difficult goals imaginable - the making of a low-budget independent film. With an innovative and surprising structure that shifts fluidly between the movie being made and those making it, the film offers a rare and accurate -- if comically heightened -- look behind-the-scenes, with the people who make the scenes. How they make them -- and the fact that they manage to make them at all -- is what LIVING IN OBLIVION is all about. Starring Steve Buscemi as director Nick Reve, LIVING IN OBLIVION highlights a day on the set of Nick's film where everything that could possibly go wrong, actually does. Struggling against ever-escalating odds to maintain his integrity and his sanity, Nick is both helped and hindered by his bumbling, if well-intentioned crew, headed by his cinematographer Wolf (Dermot Mulroney), a cameraman whose leather gear suggests that he is more inspired by Billy Idol than Sven Nykvist; a leading lady, Nicole (Catherine Keener), a talented but neurotic actress who is involved in a romance and a rivalry with her leading man, Chad Palomino (James Le Gros); an iron-willed assistant director, Wanda (Danielle Von Zerneck); and, for the first time ever on-screen, a Gaffer.
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类型:剧情片
主演:娜塔莉·贝克尔 Joel Brown Arnold Chikunda
语言:英语
年代:未知
简介: 在斯蒂芬.路德医院的儿童看护房里,位于移植名单首位9岁的山姆.库佩正在等待着他的新肝脏。他的妈妈40岁的丽莎.库佩心脏手术的主任医师尽管每天都在拯救病人的生命,却不能救她的儿子,而感觉非常无助。当仅存希望的一个肝脏,在运输的路上损坏后,选择非法途径的肝脏成为了她的唯一选择。她抛弃了她一生都在致力于的医学系统,秘密地去了一个不知名的非洲国家的New Day 诊所。在一个废弃的墙的背后,山姆被作为人质,迫使丽莎为一个美国的有钱人62岁的克莱顿.泰勒做心脏移植手术。丽莎的希波克拉底誓词和她的母性的爱在手术桌上吉利的地征战着。当得知为了此手术,所要得的一个心脏,她要拿去一个年幼无知的小女孩的生命去换回山姆时,她立刻认识到,在这个游戏中一些人的生命的价值要比其他人还重要。
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类型:爱情片
主演:加里·奥德曼 杰罗恩·克拉比 伊莎贝拉·罗西里尼 约翰娜·特尔·斯蒂格
导演:伯纳德·罗斯
语言:英语
年代:未知
简介: 音乐巨匠贝多芬(加里·奥德曼 Gary Oldman 饰)去世,学生辛德勒(杰罗恩·克拉比 Jeroen Krabbé 饰)在他的遗物中发现三封情书,写明给“永恒的爱人”,且贝多芬的所有财产也留给这位神秘女士,辛德勒至此踏上寻访这位“永恒爱人”的路途,希望能够完成先师遗志。他的拜访对象包括维也纳的茱莉亚(瓦莱莉·高利诺 Valeria Golino 饰)、匈牙利的女伯爵安娜(伊莎贝拉·罗西里尼 Isabella Rossellini 饰)、住在德国的乔安娜(约翰娜·特尔·斯蒂格 Johanna ter Steege 饰)等,一段段往事在辛德勒面前展开,关于他恩师的内心和感情世界,原来有那么多逝去的故事……
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类型:动作片
主演:迈克尔·J·福克斯 詹姆斯·伍兹 史蒂芬·朗 安娜贝拉·西奥拉 约翰·
导演:约翰·班德汉姆
语言:英语
年代:未知
简介: 克兰(迈克尔·J·福克斯 Michael J. Fox 饰),一位备受欢迎的好莱坞演员,决定改变他在银幕上的形象,接下一个警探的角色。这是他的一次尝试,试图摆脱以往的角色类型。为了更好地准备这个角色,他前往纽约与真正的凶杀组刑警约翰摩斯(詹姆斯·伍兹 James Woods 饰)合作,决定亲身体验警探的真实生活。 尽管摩斯可能并不欢迎这位好莱坞明星的到来,但他必须遵守上级的命令,带着尼克兰一起去追捕一位连续杀人的罪犯。然而,尼克兰在警探工作中表现得相当笨拙,他破坏了摩斯设计的捉拿计划,让摩斯的每一个任务都以失败收场。
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类型:动作片
主演:霍克·浩根 Hulk Hogan Matthew McCurley L
语言:英语
年代:未知
简介: 男主角雷蒙表面上是小镇的玩具店老板,实际上却是国家的超级特务。为了执行任务,他经常在世界各地飞来飞去,因此而错过儿子的棒球比赛,甚至见不到妻子的最后一面。然而,不管雷蒙怎么隐瞒他的真实身份,仇家还是找上门来,并且让他变成了阶下囚。唯一能挽救他的人,只有当时在场目睹一切的儿子。 本片的故事架构跟阿诺主演的《魔鬼大帝:真实诺言》有点雷同,但制作规模和娱乐效果均相差甚多,职业摔角高手库克霍根饰演这名有口难言特务父亲,企图在这部家庭片中展现亲和力,可惜导演约翰.莫洛斯基拍不出效果。
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类型:喜剧片
主演:Matthew Broderick Jeanne Tripplehor
导演:沃伦·莱特
语言:英语
年代:未知
简介: Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...