备注：已完结
类型：欧美剧
主演：John R. Neill 尼克·桑普森 Nic Sampson
导演：Murray Keane
语言：英语
年代：未知
简介：侦探督察迈克·谢泼德（Mike Shepherd）擅长自己的工作，但不善于处理劳资关系，当谈到“断臂林”城破案时，他爱上了他并决定留下来，但很快谢泼德开始与克里斯汀·西姆斯（Kristin Detective Sims）发生冲突。
备注：已完结
类型：伦理片
主演：Beverly Lynne Jay Richardson Evan S
语言：英语
年代：未知
简介：年轻的司机发现死在他的车与泄密穿刺伤口在他的脖子上，一个精明的记者吉尔康纳 （贝弗利琳） 认为死亡是犯规的结果。吉尔的研究成谋杀将她引到一家私人俱乐部，专门满足性的欲望。虽然想要利用这次机会，多汁，吉尔已经以确保她不会最终成为危险的黑社会的另一个受害者。
备注：已完结
类型：科幻片
主演：Blaiden D. Cordle Nicholas Winand H
语言：英语
年代：未知
简介：致命病毒肆虐全球，引发末日危机。疫情爆发一年后，一名幸存的男孩找到台破旧的机器人，两人携手展开了一趟冒险旅途，要寻找神秘的57区。
备注：已完结
类型：剧情片
主演：帕特里克·博金
导演：Zach C. Gray
语言：英语
年代：未知
简介：一个美国小男孩在爱尔兰放暑假，他解决了一个让全村人都很迷惑的神秘事件，在好奇心和寻找生命意义的驱使下，他面对自己的恐惧，并发现洞穴的秘密。
备注：已完结
类型：动作片
主演：史蒂文·席格 基伦·埃弗瑞·韦恩斯 鲍勃·冈顿 布莱恩·考克斯
导演：John Gray
语言：英语
年代：未知
简介：曾是美国隐形特工绰号“闪光人”的杰克（史蒂文•席格 Steven Seagal 饰）退役后在纽约当了一名普通的刑警，这次他遇到了退役后的最大一个挑战。洛山矶出现了一个神出鬼没、手法残忍的连环杀人狂，当地警察费尽心机都没能找到罪犯的蛛丝马迹，使得当地人心惶惶，于是警局局长想到了杰克。杰克身负重任来到了洛山矶，在这里和他拍档的是经验老到的警探金（基伦•埃弗瑞•韦恩斯 Keenen Ivory Wayans 饰）。两人因作风和手法的不一致而产生了许多矛盾，但为了尽早完成认为，两人都只能忍气吞声迁就对方。杰克和金共同布下了天罗地网，不料却被狡猾的凶手逃脱了。与此同时，新的受害者竟然是杰克的前妻和她丈夫，而现场证据竟然显示杰克就是凶手！
备注：已完结
类型：动作片
主演：阿米尔·阿布莱拉
导演：Ed Raymond艾德·雷蒙德
语言：英语
年代：未知
简介：一架来自欧洲的班机，为了政治任务要飞越美国领空。在机上，总统候选人史都特带了一片可以结束战争的磁片，同行的还有空军队长杰克。磁片中有美国副总统杰若从事不法军火交易的证据。但就在飞机降落之前，由杰若指使的恐怖份子挟持了这架飞机，并杀掉了机长和机员，飞机陷入混乱状态。美国空军接白宫指示，派出战斗机攻击被挟持的飞机，飞机同时受到战斗机及恐怖份子的围攻，失去控制，又无法与地面电台联络,唯一的希望落在了不会开飞机杰克身上!
备注：已完结
类型：科幻片
主演：克里斯·布鲁诺 Nikki Howard Lindsay Sawyer
语言：英语
年代：未知
简介：海星状的怪物，五头鲨（头部四个头、尾部一个头）入侵了波多黎各海滩，危及一片和平的天堂岛屿。水生物研究所的几个研究员准备活捉五头鲨，结果损失惨重。没办法的情况下，和警察联手，最后彻底炸死五头鲨。
备注：已完结
类型：剧情片
主演：Bob Dylan Joan Baez Judy Collin
语言：英语
年代：未知
简介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon"workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including"Mr. Tambourine Man" and"It Ain't Me, Babe") sees him moving away from the"protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal"Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs"Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of"Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing"Mr. Tambourine Man" and"It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the"old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
